Culture Industry and Japanese Identity in Snack and Drinks Products in Indonesia
This research discusses the Japanese identity inherent in food and beverage products produced and marketed in Indonesia with a cultural industry perspective. The purpose of this research is to reveal the form of Japanese identity attached to the products and its relationship with the cultural indust...
Saved in:
| Main Authors: | , , |
|---|---|
| Format: | EJournal Article |
| Udgivet: |
Universitas Diponegoro,
2022-06-04.
|
| Fag: | |
| Online adgang: | Get Fulltext |
| Tags: |
Tilføj Tag
Ingen Tags, Vær først til at tagge denne postø!
|
| LEADER | 02241 am a22003013u 4500 | ||
|---|---|---|---|
| 001 | Izumi_UNDIP_42844_pdf | ||
| 042 | |a dc | ||
| 100 | 1 | 0 | |a Puspitasari, Diana |e author |
| 700 | 1 | 0 | |a Suryadi, Yudi |e author |
| 700 | 1 | 0 | |a Widodo, Heri |e author |
| 245 | 0 | 0 | |a Culture Industry and Japanese Identity in Snack and Drinks Products in Indonesia |
| 260 | |b Universitas Diponegoro, |c 2022-06-04. | ||
| 500 | |a https://ejournal.undip.ac.id/index.php/izumi/article/view/42844 | ||
| 520 | |a This research discusses the Japanese identity inherent in food and beverage products produced and marketed in Indonesia with a cultural industry perspective. The purpose of this research is to reveal the form of Japanese identity attached to the products and its relationship with the cultural industry so that it will appear that the relationship between the two is interrelated and mutually supportive. This research is descriptive qualitative using the content analysis method on product packaging design on a cultural industry approach. The results found a Japanese identity in writings form, words, pictures, flavor variations, and a compilation of Japanese and local flavor variants on product packaging. The packaging design is made as if it is transferring Japan into the packaging of products. In the small packaging, it summarizes the discourse of the culture industry as well as provides a simulacrum for Japanese lovers. The use of Japanese identity has become a widespread cultural commodity in the financial and cultural economy. | ||
| 540 | |a Copyright (c) 2022 IZUMI | ||
| 540 | |a http://creativecommons.org/licenses/by-sa/4.0/ | ||
| 546 | |a eng | ||
| 690 | |a Culture Studies | ||
| 690 | |a Culture Industry; Japanese Identity; Cultural Commodity; Japanese Packaging Design | ||
| 655 | 7 | |a info:eu-repo/semantics/article |2 local | |
| 655 | 7 | |a info:eu-repo/semantics/publishedVersion |2 local | |
| 655 | 7 | |2 local | |
| 655 | 7 | |a content analysis method; cultural industry approach |2 local | |
| 786 | 0 | |n IZUMI; Vol 11, No 1 (2022); 31-43 | |
| 786 | 0 | |n 2502-3535 | |
| 786 | 0 | |n 2338-249X | |
| 787 | 0 | |n https://ejournal.undip.ac.id/index.php/izumi/article/view/42844/pdf | |
| 856 | 4 | 1 | |u https://ejournal.undip.ac.id/index.php/izumi/article/view/42844/pdf |z Get Fulltext |