Dionysos in Classical Athens : An Understanding through Images
"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appr...
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Brill
20141114
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| Online Access: | Get Fullteks DOAB: description of the publication |
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| 001 | doab_20_500_12854_26767 | ||
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| 042 | |a dc | ||
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| 100 | 1 | |a Isler-Kerényi, Cornelia |4 auth | |
| 245 | 1 | 0 | |a Dionysos in Classical Athens : An Understanding through Images |
| 260 | |b Brill |c 20141114 | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a "Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was presenton many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation." | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc/4.0/legalcode | ||
| 546 | |a English | ||
| 650 | 7 | |a History of religion |2 bicssc | |
| 653 | |a Classics | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/24844/1/1005258.pdf |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/26767 |7 0 |z DOAB: description of the publication |