Art of Fugue: Bach Fugues for Keyboard, 1715-1750

Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved work...

Full description

Saved in:
Bibliographic Details
Main Author: Kerman, Joseph (auth)
Format: Book Chapter
Published: Oakland, California University of California Press 2015
Subjects:
Online Access:Get Fullteks
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02319naaaa2200421uu 4500
001 doab_20_500_12854_28599
020 |a OAPEN_602277 
020 |a 9780520287631 
024 7 |a 10.26530/OAPEN_602277  |c doi 
041 0 |a English 
042 |a dc 
072 7 |a AV  |2 bicssc 
072 7 |a AVA  |2 bicssc 
100 1 |a Kerman, Joseph  |4 auth 
245 1 0 |a Art of Fugue: Bach Fugues for Keyboard, 1715-1750 
260 |a Oakland, California  |b University of California Press  |c 2015 
300 |a 1 electronic resource (192 p.) 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues-some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ 
546 |a English 
650 7 |a Music  |2 bicssc 
650 7 |a Theory of music & musicology  |2 bicssc 
653 |a fugue 
653 |a bach 
653 |a classical music 
653 |a music theory 
653 |a keyboard 
653 |a Cadence 
653 |a Counterpoint 
653 |a Johann Sebastian Bach 
653 |a Soprano 
653 |a Stretto 
653 |a Subject (music) 
653 |a The Art of Fugue 
653 |a Tonic (music) 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/32863/1/602277.pdf  |7 0  |z Get Fullteks 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/28599  |7 0  |z DOAB: description of the publication