Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture

Hokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short's Depression-era development against a backdrop of changes in f...

Full description

Saved in:
Bibliographic Details
Main Author: King, Rob (auth)
Format: Book Chapter
Published: University of California Press 2017
Subjects:
Online Access:Get Fullteks
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02963naaaa2200265uu 4500
001 doab_20_500_12854_30417
005 20210210
020 |a /doi.org/10.1525/luminos.28 
024 7 |a https://doi.org/10.1525/luminos.28  |c doi 
041 0 |a English 
042 |a dc 
072 7 |a AN  |2 bicssc 
100 1 |a King, Rob  |4 auth 
245 1 0 |a Hokum! : The Early Sound Slapstick Short and Depression-Era Mass Culture 
260 |b University of California Press  |c 2017 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Hokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short's Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood's youth. "A valuable contribution to historiography in its ability to fill a hole in contemporary film history, increasing our understanding of both the (perceived) narrowed place of the comedy film short in the 1930s and the production and reception of slapstick comedy during that era." -KATHRYN FULLER-SEELEY, Professor of Radio-Television-Film, University of Texas at Austin "With solid research, jewel-like prose, and plenty of wry humor, Rob King convincingly busts the myths and chases away the nostalgia for silent film comedy. Instead, we leave with a lasting sense of the form's persistent cultural relevance." -DONALD CRAFTON, author of Shadow of a Mouse "Hokum! moves deftly through questions of performance, aesthetics, technology, political economy, trade practices, and popular reception to convincingly unseat deeply entrenched understandings of the transition to sound and its impact on the history of screen comedy. This book is some of the smartest film history being written today." -MARK LYNN ANDERSON, author of Twilight of the Idols ROB KING is Associate Professor at Columbia University's School of the Arts and author of the award-winning The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture. 
536 |a Knowledge Unlatched 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode  |2 cc  |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode 
546 |a English 
650 7 |a Theatre studies  |2 bicssc 
653 |a Performing Arts 
653 |a General 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/43738/1/external_content.epub  |7 0  |z Get Fullteks 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/30417  |7 0  |z DOAB: description of the publication