The English Trade in Nightingales : Italian Opera in Nineteenth-Century London
This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and t...
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| Format: | Book Chapter |
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Böhlau
2017
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| Online Access: | Get Fullteks DOAB: description of the publication |
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| LEADER | 02440naaaa2200517uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_31267 | ||
| 041 | 0 | |a English | |
| 042 | |a dc | ||
| 100 | 1 | |a Zechner, Ingeborg |4 auth | |
| 245 | 1 | 0 | |a The English Trade in Nightingales : Italian Opera in Nineteenth-Century London |
| 260 | |b Böhlau |c 2017 | ||
| 300 | |a 1 electronic resource (406 Seiten p.) | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a This books deals with the Italian opera business in nineteenth century-London. A special emphasis lies on the opera singers as the most important protagonists of the London system. This special role will be examined through the analysis of the opera audience in London, the contractual practice and the tradition of the adaptation of operas to the likes of the London market as well as the substitution of arias. | ||
| 520 | |a Die Publikation beschäftigt sich mit dem italienischen Opernwesen im London des 19. Jahrhunderts. Im Vordergrund stehen die Sänger als tragende Protagonisten des Londoner Opernsystems. Deren Bedeutung für den Londoner Opernmarkt wird mithilfe einer Analyse des Londoner Opernpublikums, der Vertragspraxis der Zeit und der Adaptions- und Einlagearienpraxis festgemacht. | ||
| 540 | |a All rights reserved |4 http://oapen.org/content/about-rights | ||
| 546 | |a English | ||
| 653 | |a Italian opera | ||
| 653 | |a London | ||
| 653 | |a nineteenth century | ||
| 653 | |a singers | ||
| 653 | |a singers contracts | ||
| 653 | |a court proceedings | ||
| 653 | |a Her Majesty's Theatre | ||
| 653 | |a Royal Italian Opera House Covent Garden | ||
| 653 | |a adaptation of operas | ||
| 653 | |a substitution of arias | ||
| 653 | |a opera audience | ||
| 653 | |a opera market | ||
| 653 | |a Italienische Oper | ||
| 653 | |a London | ||
| 653 | |a 19. Jahrhundert | ||
| 653 | |a Sänger | ||
| 653 | |a Sängerverträge | ||
| 653 | |a Gerichtsprozesse | ||
| 653 | |a Her Majesty's Theatre | ||
| 653 | |a Royal Italian Opera House Covent Garden | ||
| 653 | |a Adaptionspraxis | ||
| 653 | |a Einlagearienpraxis | ||
| 653 | |a Opernpublikum | ||
| 653 | |a Opernmarkt | ||
| 653 | |a Italy | ||
| 653 | |a Libretto | ||
| 653 | |a Pauline Viardot | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/29391/1/1000566.pdf |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/31267 |7 0 |z DOAB: description of the publication |