Lexicographie artistique : formes, usages et enjeux dans l'Europe moderne/ Artistic lexicography : forms, uses and issues in Early Modern Europe
ven if they are contradictory, the different senses give thickness and subtlety to the concept. The journey of a notion in time and space then also contributes to broadening our understanding of a cultural history between universality and identity within the artistic diversity that ch...
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| Format: | Book Chapter |
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Montpellier
Presses Universitaires de la Méditerranée - PULM
2018
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| Online Access: | Get Fullteks DOAB: description of the publication |
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|---|---|---|---|
| 001 | doab_20_500_12854_32498 | ||
| 020 | |a OAPEN_644313 | ||
| 024 | 7 | |a 10.26530/OAPEN_644313 |c doi | |
| 041 | 0 | |a French | |
| 042 | |a dc | ||
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| 072 | 7 | |a AFC |2 bicssc | |
| 072 | 7 | |a HBJD |2 bicssc | |
| 100 | 1 | |a Trouvé, Stéphanie |4 edt | |
| 700 | 1 | |a Heck, Michèle-Caroline |4 edt | |
| 700 | 1 | |a Freyssinet, Marianne |4 edt | |
| 700 | 1 | |a Trouvé, Stéphanie |4 oth | |
| 700 | 1 | |a Heck, Michèle-Caroline |4 oth | |
| 700 | 1 | |a Freyssinet, Marianne |4 oth | |
| 245 | 1 | 0 | |a Lexicographie artistique : formes, usages et enjeux dans l'Europe moderne/ Artistic lexicography : forms, uses and issues in Early Modern Europe |
| 260 | |a Montpellier |b Presses Universitaires de la Méditerranée - PULM |c 2018 | ||
| 300 | |a 1 electronic resource (452 p.) | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a ven if they are contradictory, the different senses give thickness and subtlety to the concept. The journey of a notion in time and space then also contributes to broadening our understanding of a cultural history between universality and identity within the artistic diversity that characterizes modern Europe. | ||
| 520 | |a ue moderne, témoignent également de leur rôle d'agent de diffusion en constante adaptation au lectorat auquel ils s'adressent. Comprendre les stratégies et les processus d'invention et de transfert d'une terminologie spécifique à l'expression esthétique devient alors un enjeu important. Les mots, en effet, ne sont pas interchangeables. En se succédant ou se superposant, même s'ils sont contradictoires, les différents sens donnent épaisseur et subtilité au concept. Le voyage d'une notion dans le temps et dans l'espace contribue alors aussi à un élargissement de notre compréhension d'une histoire culturelle entre universalité et identité au sein de la diversité artistique qui caractérise de l'Europe moderne. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a French | ||
| 546 | |a English | ||
| 650 | 7 | |a The arts |2 bicssc | |
| 650 | 7 | |a The arts: general issues |2 bicssc | |
| 650 | 7 | |a Theory of art |2 bicssc | |
| 650 | 7 | |a History of art & design styles: c 1600 to c 1800 |2 bicssc | |
| 650 | 7 | |a Painting & paintings |2 bicssc | |
| 650 | 7 | |a European history |2 bicssc | |
| 653 | |a artistic terminology | ||
| 653 | |a art theory | ||
| 653 | |a artistic literature | ||
| 653 | |a painting | ||
| 653 | |a artistic practice | ||
| 653 | |a artistic lexicography | ||
| 653 | |a Giorgio Vasari | ||
| 653 | |a Giovanni Pietro Bellori | ||
| 653 | |a Karel van Mander | ||
| 653 | |a Paris | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/30649/1/644313.pdf |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/32498 |7 0 |z DOAB: description of the publication |