The End of the World : Apocalypse and its Aftermath in Western Culture

Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This bo...

Full description

Saved in:
Bibliographic Details
Main Author: Manuel Lisboa, Maria (auth)
Format: Book Chapter
Published: Open Book Publishers 2011
Subjects:
Online Access:Get Fullteks
DOAB: description of the publication
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 02538naaaa2200493uu 4500
001 doab_20_500_12854_34748
020 |a OBP.0015 
024 7 |a 10.11647/OBP.0015  |c doi 
041 0 |a English 
042 |a dc 
072 7 |a AP  |2 bicssc 
072 7 |a DS  |2 bicssc 
072 7 |a JFC  |2 bicssc 
100 1 |a Manuel Lisboa, Maria  |4 auth 
245 1 0 |a The End of the World : Apocalypse and its Aftermath in Western Culture 
260 |b Open Book Publishers  |c 2011 
300 |a 1 electronic resource (219 p.) 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinarystudy that provides profound insight into one of Western culture's darkest and most enduring preoccupations. 
540 |a Creative Commons  |f by-nc-nd/2.0/  |2 cc  |4 http://creativecommons.org/licenses/by-nc-nd/2.0/ 
546 |a English 
650 7 |a Film, TV & radio  |2 bicssc 
650 7 |a Literature: history & criticism  |2 bicssc 
650 7 |a Cultural studies  |2 bicssc 
653 |a literature 
653 |a oryx and crake 
653 |a margaret atwood 
653 |a cultural studies 
653 |a douglas adams 
653 |a terminator 
653 |a blade runner 
653 |a george orwell 
653 |a apocalypse 
653 |a aldous huxley 
653 |a john wyndham 
653 |a nineteen eighty-four 
653 |a 1984 
653 |a brave new world 
653 |a film studies 
653 |a armageddon 
653 |a harry potter 
653 |a Utopia 
856 4 0 |a www.oapen.org  |u https://library.oapen.org/bitstream/20.500.12657/30306/1/646717.pdf  |7 0  |z Get Fullteks 
856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/34748  |7 0  |z DOAB: description of the publication