The End of the World : Apocalypse and its Aftermath in Western Culture
Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This bo...
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Format: | Book Chapter |
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Open Book Publishers
2011
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Online Access: | Get Fullteks DOAB: description of the publication |
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LEADER | 02538naaaa2200493uu 4500 | ||
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001 | doab_20_500_12854_34748 | ||
020 | |a OBP.0015 | ||
024 | 7 | |a 10.11647/OBP.0015 |c doi | |
041 | 0 | |a English | |
042 | |a dc | ||
072 | 7 | |a AP |2 bicssc | |
072 | 7 | |a DS |2 bicssc | |
072 | 7 | |a JFC |2 bicssc | |
100 | 1 | |a Manuel Lisboa, Maria |4 auth | |
245 | 1 | 0 | |a The End of the World : Apocalypse and its Aftermath in Western Culture |
260 | |b Open Book Publishers |c 2011 | ||
300 | |a 1 electronic resource (219 p.) | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Our fear of the world ending, like our fear of the dark, is ancient, deep-seated and perennial. It crosses boundaries of space and time, recurs in all human communities and finds expression in every aspect of cultural production - from pre-historic cave paintings to high-tech computer games. This book examines historical and imaginary scenarios of Apocalypse, the depiction of its likely triggers, and imagined landscapesin the aftermath of global destruction. Its discussion moves effortlessly from classic novels including Aldous Huxley's Brave New World, George Orwell's Nineteen Eighty-Four and Margaret Atwood's Oryx and Crake, to blockbuster films such as Blade Runner, Armageddon and The Terminator. The author also takes into account religious doctrine, scientific research and the visual arts to create a penetrating, multi-disciplinarystudy that provides profound insight into one of Western culture's darkest and most enduring preoccupations. | ||
540 | |a Creative Commons |f by-nc-nd/2.0/ |2 cc |4 http://creativecommons.org/licenses/by-nc-nd/2.0/ | ||
546 | |a English | ||
650 | 7 | |a Film, TV & radio |2 bicssc | |
650 | 7 | |a Literature: history & criticism |2 bicssc | |
650 | 7 | |a Cultural studies |2 bicssc | |
653 | |a literature | ||
653 | |a oryx and crake | ||
653 | |a margaret atwood | ||
653 | |a cultural studies | ||
653 | |a douglas adams | ||
653 | |a terminator | ||
653 | |a blade runner | ||
653 | |a george orwell | ||
653 | |a apocalypse | ||
653 | |a aldous huxley | ||
653 | |a john wyndham | ||
653 | |a nineteen eighty-four | ||
653 | |a 1984 | ||
653 | |a brave new world | ||
653 | |a film studies | ||
653 | |a armageddon | ||
653 | |a harry potter | ||
653 | |a Utopia | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/30306/1/646717.pdf |7 0 |z Get Fullteks |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/34748 |7 0 |z DOAB: description of the publication |