Screenwriting : Creative Labor and Professional Practice
Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigates and make sense of the labor markets i...
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| Format: | Book Chapter |
| Published: |
Taylor & Francis
2014
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| Subjects: | |
| Online Access: | Get Fullteks DOAB: description of the publication |
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| LEADER | 02122naaaa2200577uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_35126 | ||
| 005 | 20210210 | ||
| 020 | |a 9780415642675 | ||
| 041 | 0 | |a English | |
| 042 | |a dc | ||
| 072 | 7 | |a JFD |2 bicssc | |
| 100 | 1 | |a Conor, Bridget |4 auth | |
| 245 | 1 | 0 | |a Screenwriting : Creative Labor and Professional Practice |
| 260 | |b Taylor & Francis |c 2014 | ||
| 300 | |a 1 electronic resource (164 p.) | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigates and make sense of the labor markets in which they are immersed. Chapters explore areas including screenwriting as creative labor, screenwriters' working lives, the how-to genre, screenwriting inequalities, and myths of the profession. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
| 546 | |a English | ||
| 650 | 7 | |a Media studies |2 bicssc | |
| 653 | |a guru | ||
| 653 | |a scene | ||
| 653 | |a appendix | ||
| 653 | |a authors | ||
| 653 | |a bibliography | ||
| 653 | |a conclusion | ||
| 653 | |a creative | ||
| 653 | |a five | ||
| 653 | |a genre | ||
| 653 | |a good | ||
| 653 | |a histories | ||
| 653 | |a indicative | ||
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| 653 | |a labor | ||
| 653 | |a lives | ||
| 653 | |a myths | ||
| 653 | |a one | ||
| 653 | |a out? | ||
| 653 | |a practice | ||
| 653 | |a profession | ||
| 653 | |a professional | ||
| 653 | |a publishing | ||
| 653 | |a screenwriters | ||
| 653 | |a screenwriting | ||
| 653 | |a setting | ||
| 653 | |a texts | ||
| 653 | |a titles | ||
| 653 | |a two | ||
| 653 | |a working | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/39993/1/9780415642675_text.pdf |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/35126 |7 0 |z DOAB: description of the publication |