Maria Stuart

"Maria Stuart, described as Schiller's most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England's religious confess...

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Bibliographic Details
Main Author: Schiller, Friedrich (auth)
Other Authors: Kimmich, Flora (auth), Paulin, Roger (auth)
Format: Book Chapter
Published: Open Book Publishers 2020
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Online Access:Get Fullteks
DOAB: description of the publication
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020 |a 9781783749812 
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041 0 |a English 
042 |a dc 
072 7 |a DSG  |2 bicssc 
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100 1 |a Schiller, Friedrich  |4 auth 
700 1 |a Kimmich, Flora  |4 auth 
700 1 |a Paulin, Roger  |4 auth 
245 1 0 |a Maria Stuart 
260 |b Open Book Publishers  |c 2020 
300 |a 1 electronic resource (138 p.) 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a "Maria Stuart, described as Schiller's most perfect play, is a finely balanced, inventive account of the last day of the captive Queen of Scotland, caught up in a great contest for the throne of England after the death of Henry VIII and over the question of England's religious confession. Hope for and doubt about Mary's deliverance grow in the first two acts, given to the Scottish and the English queen respectively, reach crisis at the center of the play, where the two queens meet in a famous scene in a castle park, and die away in acts four and five, as the action advances to its inevitable end. The play is at once classical tragedy of great fineness, costume drama of the highest order-a spectacle on the stage-and one of the great moments in the long tradition of classical rhetoric, as Elizabeth's ministers argue for and against execution of a royal prisoner. Flora Kimmich's new translation carefully preserves the spirit of the original: the pathos and passion of Mary in captivity, the high seriousness of Elizabeth's ministers in council, and the robust comedy of that queen's untidy private life. Notes to the text identify the many historical figures who appear in the text, describe the political setting of the action, and draw attention to the structure of the play. Roger Paulin's introduction discusses the many threads of the conflict in Maria Stuart and enriches our understanding of this much-loved, much-produced play. Maria Stuart is the last of a series of five new translations of Schiller's major plays, accompanied by notes to the text and an authoritative introduction. " 
540 |a Creative Commons  |f https://creativecommons.org/licenses/by/4.0/  |2 cc  |4 https://creativecommons.org/licenses/by/4.0/ 
546 |a English 
650 7 |a Literary studies: plays & playwrights  |2 bicssc 
650 7 |a Theatre studies  |2 bicssc 
653 |a Friedrich Schiller 
653 |a play 
653 |a translation 
653 |a Maria Stuart 
653 |a Germany 
653 |a succession 
653 |a classical tragedy 
653 |a historic drama 
653 |a Roger Paulin 
653 |a Flora Kimmich 
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856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/38971  |7 0  |z DOAB: description of the publication