Il "trompe-l'œil" letterario, ovvero il sorriso ironico nell'opera di Wilhelm Hauff
<i>Literary trompe-l'oeil</i> intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his <i>Märchen</i> for a general rereading of...
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Format: | Book Chapter |
Published: |
Firenze University Press
2012
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Online Access: | Get Fullteks DOAB: description of the publication |
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Summary: | <i>Literary trompe-l'oeil</i> intends to emancipate the enigmatic and distinctive figure of Hauff from his long and unjust marginalization resulting from a now outdated current of criticism, to offer a new interpretation of his <i>Märchen</i> for a general rereading of this modern literary caricaturist's works. On approaching his texts, one cannot but notice how they are imbued with continual and insistent, bewitching, caustic and alienating allusions, just like the Mona Lisa's smile. With a constant critical scepticism and a subtle illusionist skill, this demythologized 'budding Satan' looks at the present situation through the 'diabolic lenses' of irony, making his works a sort of literary <i>Befreiungskrieg</i>, in which he lays claim to a heterotopic space of free fantastic-humorist expression, along the undulating route leading from Sterne to Heine via Jean Paul. |
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Physical Description: | 1 electronic resource (278 p.) |
ISBN: | 978-88-6655-225-3 9788866552253 |
Access: | Open Access |