Brand Postcolonial. 'Third World' Texts and the Global
This book studies the making of the postcolonial author and text as a brand. It examines specific themes, wherein the postcolonial text acquires global visibility, even determining the nature of global debates: the authenticity of representing 'native' cultures, subalternity, indigeneity,...
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Format: | Book Chapter |
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De Gruyter
2019
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Online Access: | Get Fullteks DOAB: description of the publication |
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LEADER | 01384naaaa2200265uu 4500 | ||
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001 | doab_20_500_12854_42427 | ||
005 | 20210211 | ||
020 | |a 9783110625660 | ||
020 | |a 9783110625660 | ||
024 | 7 | |a 10.1515/9783110625660 |c doi | |
041 | 0 | |a English | |
042 | |a dc | ||
100 | 1 | |a Nayar, Pramod K. |4 auth | |
245 | 1 | 0 | |a Brand Postcolonial. 'Third World' Texts and the Global |
260 | |b De Gruyter |c 2019 | ||
300 | |a 1 electronic resource (150 p.) | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a This book studies the making of the postcolonial author and text as a brand. It examines specific themes, wherein the postcolonial text acquires global visibility, even determining the nature of global debates: the authenticity of representing 'native' cultures, subalternity, indigeneity, and humanism. It studies the circulation of the postcolonial as literary-ethnic chic and the author as a globally mobile celebrity. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
653 | |a literature | ||
653 | |a Postcolonial | ||
653 | |a globalization | ||
856 | 4 | 0 | |a www.oapen.org |u http://doi.org/10.1515/9783110625660 |7 0 |z Get Fullteks |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/42427 |7 0 |z DOAB: description of the publication |