Caroline Schlegel-Schelling: «Ero seduta qui a scrivere». Lettere

The stars of the correspondence of Caroline Michaelis-Böhmer-Schlegel-Schelling (1763-1809), one of the most intriguing female figures in the German Romantic movement, are the relations with and between major exponents of the German scene of Enlightenment and Revolution, Classicism and Romanticism....

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Main Author: Vania Fattorini (auth)
Format: Book Chapter
Published: Firenze University Press 2012
Online Access:Get Fullteks
DOAB: description of the publication
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100 1 |a Vania Fattorini  |4 auth 
245 1 0 |a Caroline Schlegel-Schelling: «Ero seduta qui a scrivere». Lettere 
260 |b Firenze University Press  |c 2012 
300 |a 1 electronic resource (282 p.) 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a The stars of the correspondence of Caroline Michaelis-Böhmer-Schlegel-Schelling (1763-1809), one of the most intriguing female figures in the German Romantic movement, are the relations with and between major exponents of the German scene of Enlightenment and Revolution, Classicism and Romanticism. Framed between an introduction dealing with Caroline herself and a detailed critical apparatus, Illuminismo e Rivoluzione, Classicismo e Romanticismo. <i>Caroline Schlegel-Schelling: «Ero seduta qui a scrivere». Lettere</i> proposes some of the most impassioned letters from her extensive correspondence in a document that is at once biographical, artistic, historical and literary. Fifty selected letters (plus an appendix with several letters she received from Friedrich Schlegel and Novalis), in a compilation that aims to cast light on the lively critical sensitivity combined with genuine literary talent that made Caroline the heart and soul of the Romanticism of Jena. 
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856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/42738  |7 0  |z DOAB: description of the publication