The Cold War. Historiography, Memory, Representation
This volume describes and analyzes the cultural history and representation of the Cold War from an international perspective. That innovative approach focuses on master narratives of the Cold War, places of memory, public and private memorialization, popular culture, and schoolbooks. These general t...
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Format: | Book Chapter |
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De Gruyter
2017
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Online Access: | Get Fullteks DOAB: description of the publication |
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LEADER | 01493naaaa2200289uu 4500 | ||
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001 | doab_20_500_12854_43489 | ||
005 | 20210211 | ||
020 | |a 9783110496178 | ||
020 | |a 9783110496178 | ||
024 | 7 | |a 10.1515/9783110496178 |c doi | |
041 | 0 | |a English | |
042 | |a dc | ||
100 | 1 | |a Ostermann, Christian |4 auth | |
700 | 1 | |a Etges, Andreas |4 auth | |
700 | 1 | |a Jarausch, Konrad H. |4 auth | |
245 | 1 | 0 | |a The Cold War. Historiography, Memory, Representation |
260 | |b De Gruyter |c 2017 | ||
300 | |a 1 electronic resource (317 p.) | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a This volume describes and analyzes the cultural history and representation of the Cold War from an international perspective. That innovative approach focuses on master narratives of the Cold War, places of memory, public and private memorialization, popular culture, and schoolbooks. These general themes are illustrated through a case study of Cold War memory in Berlin, which was a unique former center of Cold War confrontation and competition. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a English | ||
653 | |a Berlin | ||
653 | |a Cold War memory | ||
653 | |a Public History | ||
856 | 4 | 0 | |a www.oapen.org |u https://doi.org/10.1515/9783110496178 |7 0 |z Get Fullteks |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/43489 |7 0 |z DOAB: description of the publication |