Inszenierte Moderne. Populäres Theater in Berlin und London, 1880-1930
Modern popular culture came to the world from the stage. Even before film and radio had established themselves, popular theater had developed into a commercial and boundary-crossing entertainment industry that reached a mass audience. Tobias Becker compares the theater landscapes of London and Berli...
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Format: | Book Chapter |
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De Gruyter
2014
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Online Access: | Get Fullteks DOAB: description of the publication |
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LEADER | 01522naaaa2200289uu 4500 | ||
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001 | doab_20_500_12854_50369 | ||
005 | 20210211 | ||
020 | |a 9783110353716 | ||
020 | |a 9783110353716 | ||
024 | 7 | |a 10.1524/9783110353716 |c doi | |
041 | 0 | |a German | |
042 | |a dc | ||
100 | 1 | |a German Historical Institute London |4 auth | |
245 | 1 | 0 | |a Inszenierte Moderne. Populäres Theater in Berlin und London, 1880-1930 |
260 | |b De Gruyter |c 2014 | ||
300 | |a 1 electronic resource (512 p.) | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Modern popular culture came to the world from the stage. Even before film and radio had established themselves, popular theater had developed into a commercial and boundary-crossing entertainment industry that reached a mass audience. Tobias Becker compares the theater landscapes of London and Berlin and points out the cultural exchanges that took place between these metropolises during the long turn of the century (1880�). | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/ |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/ | ||
546 | |a German | ||
653 | |a media history | ||
653 | |a German-British history | ||
653 | |a theater history | ||
653 | |a urban history | ||
653 | |a history of popular culture | ||
856 | 4 | 0 | |a www.oapen.org |u https://doi.org/10.1524/9783110353716 |7 0 |z Get Fullteks |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/50369 |7 0 |z DOAB: description of the publication |