Mare, fiume, ruscello : Acqua e musica nella cultura romantica

Mare, fiume, ruscello. Acqua e musica nella cultura romantica (Sea, river, stream. Water and music in romantic culture) re-reads German literature between the 18th and 19th centuries, focusing on the figure of water, following the theoretical-methodological lines traced by Gaston Bachelard in his st...

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Main Author: Susanne Magdalena Stöckle (auth)
Format: Book Chapter
Published: Firenze University Press 2018
Online Access:Get Fullteks
DOAB: description of the publication
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020 |a 978-88-6453-712-2 
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024 7 |a 10.36253/978-88-6453-712-2  |c doi 
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100 1 |a Susanne Magdalena Stöckle  |4 auth 
245 1 0 |a Mare, fiume, ruscello : Acqua e musica nella cultura romantica 
260 |b Firenze University Press  |c 2018 
300 |a 1 electronic resource (240 p.) 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a Mare, fiume, ruscello. Acqua e musica nella cultura romantica (Sea, river, stream. Water and music in romantic culture) re-reads German literature between the 18th and 19th centuries, focusing on the figure of water, following the theoretical-methodological lines traced by Gaston Bachelard in his studies on material imagination, especially in his 1942 work L'eau et les rêves. The work investigates the elective affinities between liquid substance, poetic word and music in the romantic period. The rereading highlights the large number of "liquid-aquatic" metaphors in Franz Schubert's lieder works, with particular attention to the cycles Die Schöne Müllerin (1823) and Winterreise (1828). The study is conducted in an interdisciplinary perspective that extends, between literary and musical analysis, to the reading and listening of the Lieder. 
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856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/52741  |7 0  |z DOAB: description of the publication