Beyond the Mirror : Seeing in Art History and Visual Culture Studies
Since the late 1980s visibility has become a currency of social recognition, and a political issue. It also brought forth a new discipline, visual culture studies, and a hotly contested debate unfolded between art history and visual culture studies over the interpretation of visual culture, whose im...
Saved in:
Main Author: | |
---|---|
Format: | Book Chapter |
Published: |
Bielefeld
transcript Verlag
2020
|
Subjects: | |
Online Access: | Get Fullteks Get Fullteks DOAB: description of the publication |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
LEADER | 02234naaaa2200397uu 4500 | ||
---|---|---|---|
001 | doab_20_500_12854_63967 | ||
041 | 0 | |a English | |
042 | |a dc | ||
072 | 7 | |a AC |2 bicssc | |
072 | 7 | |a ABA |2 bicssc | |
072 | 7 | |a JFD |2 bicssc | |
100 | 1 | |a Falkenhausen, Susanne von |4 auth | |
245 | 1 | 0 | |a Beyond the Mirror : Seeing in Art History and Visual Culture Studies |
260 | |a Bielefeld |b transcript Verlag |c 2020 | ||
300 | |a 1 electronic resource (250 p.) | ||
506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
520 | |a Since the late 1980s visibility has become a currency of social recognition, and a political issue. It also brought forth a new discipline, visual culture studies, and a hotly contested debate unfolded between art history and visual culture studies over the interpretation of visual culture, whose impact can still be felt today. In this first comparative study Susanne von Falkenhausen reveals the concepts of seeing as scholarly act that underwrite these competing approaches to visuality and society, along with the agendas of identity politics that motivate them. In close readings of key texts spanning from the early 20th century to the present the author crosses expertly between American, German, and British versions of art history, cultural studies, aesthetics, and film studies. | ||
540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
546 | |a English | ||
650 | 7 | |a History of art / art & design styles |2 bicssc | |
650 | 7 | |a Theory of art |2 bicssc | |
650 | 7 | |a Media studies |2 bicssc | |
653 | |a Art History | ||
653 | |a Visual Culture | ||
653 | |a Gaze | ||
653 | |a Identity | ||
653 | |a Alterity | ||
653 | |a Art | ||
653 | |a Image | ||
653 | |a Theory of Art | ||
653 | |a Visual Studies | ||
653 | |a Cultural Studies | ||
653 | |a Fine Arts | ||
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/47131/1/ts5352_1.pdf |7 0 |z Get Fullteks |
856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/47131/4/ts5352_1.pdf |7 0 |z Get Fullteks |
856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/63967 |7 0 |z DOAB: description of the publication |