Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés

This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the...

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Main Author: Couderc, Christophe (auth)
Format: Book Chapter
Published: Florence Firenze University Press 2020
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041 0 |a Italian 
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100 1 |a Couderc, Christophe  |4 auth 
245 1 0 |a Sobre el papel de Lope de Vega en la construcción del relato nacional del clasicismo francés 
260 |a Florence  |b Firenze University Press  |c 2020 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This essay deals with an aspect of the formation process of the image of the Spanish Baroque theatre in France as an irregular and chaotic aesthetic form, which was also considered inferior with respect to the French classical model. In this theoretical construction, Lope de Vega embodies all of the Spanish theatre's flaws and, more generally, Hispanic literature's ones, in turn conceived as an expression of the Spanish nation's spirit. This process of elaborating an image of an author at the service of the invention of a national stereotype is possible thanks to the early reception of some prose works by Lope (La Arcadia, El peregrino en su patria) which are enjoying a widespread diffusion in their translations. In a context marked by controversy surrounding the tragi-comédie, assimilated by his detractors to a simple theatrical deformation of novelistic material, Lope de Vega assumes the function of representative of a literature considered extraneous to any rule and to the separation between literary genres. 
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546 |a Italian 
653 |a Classicism 
653 |a France 
653 |a Tragi-comedy 
653 |a Lope de Vega 
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