Un caso di metamorfosi testuale: Castelvines y Monteses di Lope de Vega
The subject of the essay is the analysis of the staging of Lope de Vega's novel 'Romeo and Juliet' (Castelvines y Monteses), commencing from the tale of Luigi Da Porto (Venezia, Bendoni, 1530/31?), through the rewrite of Matteo Bandello (Novella 9, in Parte II, Lucca, Busdrago, 1554),...
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Florence
Firenze University Press
2020
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| Online Access: | Get Fullteks DOAB: description of the publication |
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| LEADER | 02158naaaa2200289uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_69945 | ||
| 005 | 20210521 | ||
| 020 | |a 978-88-5518-150-1.10 | ||
| 020 | |a 9788855181501 | ||
| 024 | 7 | |a 10.36253/978-88-5518-150-1.10 |c doi | |
| 041 | 0 | |a Italian | |
| 042 | |a dc | ||
| 100 | 1 | |a GENTILLI, Luciana |4 auth | |
| 245 | 1 | 0 | |a Un caso di metamorfosi testuale: Castelvines y Monteses di Lope de Vega |
| 260 | |a Florence |b Firenze University Press |c 2020 | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a The subject of the essay is the analysis of the staging of Lope de Vega's novel 'Romeo and Juliet' (Castelvines y Monteses), commencing from the tale of Luigi Da Porto (Venezia, Bendoni, 1530/31?), through the rewrite of Matteo Bandello (Novella 9, in Parte II, Lucca, Busdrago, 1554), and the french and spanish versions produced respectively by Pierre Boaistuau (Histoire Troisiesme de deux Amans in Histoires Tragiques, Paris, Sertenas, 1559) and Vicente de Millis Godínez (Historia tercera de dos enamorados, in Historias trágicas ejemplares, Salamanca, Pedro Lasso, 1589). The storyline up until its theatrical-transcodification, has been reconstrued through the analysis of a specific micro-sequence, the one of Juliet squeezed between Marcuccio's cold hand and Romeo's warm hand. The sequence is an example not only of the multiple echos and refractions of Da Porto and Bandello's novels, but also of the intertextual dialogue, where repêchage is being used for surprising resemantizations (in Lope's work, and after that in Molière). | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by/4.0/ |2 cc |4 https://creativecommons.org/licenses/by/4.0/ | ||
| 546 | |a Italian | ||
| 653 | |a Lope de Vega | ||
| 653 | |a Bandello | ||
| 653 | |a Boaistuau | ||
| 653 | |a de Millis Godínez | ||
| 653 | |a intertextuality | ||
| 773 | 1 | 0 | |0 OAPEN Library ID: ONIX_20210521_9788855181501_16 |7 nnaa |
| 856 | 4 | 0 | |a www.oapen.org |u https://www.fupress.com/redir.ashx?RetUrl=14595.pdf |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/69945 |7 0 |z DOAB: description of the publication |