El licenciado Francisco de Rojas, enmendador barroco de manuscritos teatrales

This paper focuses on the figure of the graduate Francisco de Rojas, a minor playwright from the first half of the seventeenth century who is better known for copying several theatrical manuscripts and, above all, for the presence of his handwriting in dozens of other manuscripts. The objectives of...

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Main Author: Garcia-Reidy, Alejandro (auth)
Format: Book Chapter
Published: Florence Firenze University Press 2021
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041 0 |a Spanish 
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100 1 |a Garcia-Reidy, Alejandro  |4 auth 
245 1 0 |a El licenciado Francisco de Rojas, enmendador barroco de manuscritos teatrales 
260 |a Florence  |b Firenze University Press  |c 2021 
506 0 |a Open Access  |2 star  |f Unrestricted online access 
520 |a This paper focuses on the figure of the graduate Francisco de Rojas, a minor playwright from the first half of the seventeenth century who is better known for copying several theatrical manuscripts and, above all, for the presence of his handwriting in dozens of other manuscripts. The objectives of this paper are to contextualize his activity as a copyist, to systematize the nature of his interventions in the dialogues of the plays, and to point out the-often silent-influence that Rojas' amendments have had in several editions of early modern Spanish plays for over a century. 
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546 |a Spanish 
653 |a early modern Spanish theater 
653 |a manuscripts 
653 |a copyists 
653 |a the graduate Francisco de Roja 
653 |a textual amendments 
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856 4 0 |a www.oapen.org  |u https://directory.doabooks.org/handle/20.500.12854/70013  |7 0  |z DOAB: description of the publication