Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celeb...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book Chapter |
| Published: |
University of California Press
2021
|
| Subjects: | |
| Online Access: | Get Fullteks DOAB: description of the publication |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| LEADER | 02264naaaa2200373uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_70758 | ||
| 020 | |a /doi.org/10.1525/luminos.104 | ||
| 024 | 7 | |a https://doi.org/10.1525/luminos.104 |c doi | |
| 041 | 0 | |a English | |
| 042 | |a dc | ||
| 072 | 7 | |a AVA |2 bicssc | |
| 072 | 7 | |a HBJF |2 bicssc | |
| 072 | 7 | |a JHMC |2 bicssc | |
| 100 | 1 | |a Weidman, Amanda |4 auth | |
| 245 | 1 | 0 | |a Brought to Life by the Voice : Playback Singing and Cultural Politics in South India |
| 260 | |b University of California Press |c 2021 | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. | ||
| 536 | |a Knowledge Unlatched | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
| 546 | |a English | ||
| 650 | 7 | |a Theory of music & musicology |2 bicssc | |
| 650 | 7 | |a Asian history |2 bicssc | |
| 650 | 7 | |a Social & cultural anthropology, ethnography |2 bicssc | |
| 653 | |a Music | ||
| 653 | |a Ethnomusicology | ||
| 653 | |a History | ||
| 653 | |a Asia | ||
| 653 | |a India & South Asia | ||
| 653 | |a Social Science | ||
| 653 | |a Anthropology | ||
| 653 | |a Cultural & Social | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/49480/1/external_content.epub |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/70758 |7 0 |z DOAB: description of the publication |