Turkish German Muslims and Comedy Entertainment : Settling into Mainstream Culture in the 21st Century
Turkish German comedy culture and the lived realities of Turkish Muslims in GermanyComedy entertainment is a powerful arena for serious public engagement with questions of German national identity and Turkish German migration. The German majority society and its largest labour migrant community have...
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| Format: | Book Chapter |
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Leuven University Press
2020
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| Online Access: | Get Fullteks DOAB: description of the publication |
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| LEADER | 02410naaaa2200361uu 4500 | ||
|---|---|---|---|
| 001 | doab_20_500_12854_71975 | ||
| 005 | 20210924 | ||
| 020 | |a /doi.org/10.11116/9789461663412 | ||
| 024 | 7 | |a https://doi.org/10.11116/9789461663412 |c doi | |
| 041 | 0 | |a English | |
| 042 | |a dc | ||
| 072 | 7 | |a JFSR |2 bicssc | |
| 072 | 7 | |a WH |2 bicssc | |
| 072 | 7 | |a ASZB |2 bicssc | |
| 100 | 1 | |a Nickl, Benjamin |4 auth | |
| 245 | 1 | 0 | |a Turkish German Muslims and Comedy Entertainment : Settling into Mainstream Culture in the 21st Century |
| 260 | |b Leuven University Press |c 2020 | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a Turkish German comedy culture and the lived realities of Turkish Muslims in GermanyComedy entertainment is a powerful arena for serious public engagement with questions of German national identity and Turkish German migration. The German majority society and its largest labour migrant community have been asking for decades what it means to be German and what it means for Turkish Germans, Muslims of the second and third generations, to call Germany their home. Benjamin Nickl examines through the social pragmatics of humour the dynamics that underpin these questions in the still-evolving popular culture space of German mainstream humour in the 21st century. The first book-length study on the topic to combine close readings of film, television, literary and online comedy, and transnational culture studies, Turkish German Muslims and Comedy Entertainment presents the argument that Turkish German humour has moved from margin to mainstream by intervening in cultural incompatibility and Islamophobia discourse. | ||
| 540 | |a Creative Commons |f https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode |2 cc |4 https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode | ||
| 546 | |a English | ||
| 650 | 7 | |a Religious groups: social & cultural aspects |2 bicssc | |
| 650 | 7 | |a Humour |2 bicssc | |
| 650 | 7 | |a Performing arts: comedy |2 bicssc | |
| 653 | |a Social Science | ||
| 653 | |a Islamic Studies | ||
| 653 | |a Humor | ||
| 653 | |a Topic | ||
| 653 | |a Cultural, Ethnic & Regional | ||
| 653 | |a Performing Arts | ||
| 653 | |a Comedy | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://library.oapen.org/bitstream/20.500.12657/50666/1/external_content.pdf |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/71975 |7 0 |z DOAB: description of the publication |