We Are Not Users : Dialogues, Diversity, and Design
A call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. We live in a material world of designed artifacts, both digital and analog. We think of ourselves as users; the platforms, devices, or objects provide a service that...
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| Format: | Book Chapter |
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Cambridge
The MIT Press
2020
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| Online Access: | Get Fullteks DOAB: description of the publication |
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| 001 | doab_20_500_12854_78574 | ||
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| 020 | |a 9780262356473 | ||
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| 024 | 7 | |a 10.7551/mitpress/11931.001.0001 |c doi | |
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| 072 | 7 | |a AKB |2 bicssc | |
| 072 | 7 | |a RGL |2 bicssc | |
| 100 | 1 | |a Subrahmanian, Eswaran |4 auth | |
| 700 | 1 | |a Reich, Yoram |4 auth | |
| 700 | 1 | |a Krishnan, Sruthi |4 auth | |
| 245 | 1 | 0 | |a We Are Not Users : Dialogues, Diversity, and Design |
| 260 | |a Cambridge |b The MIT Press |c 2020 | ||
| 300 | |a 1 electronic resource (200 p.) | ||
| 506 | 0 | |a Open Access |2 star |f Unrestricted online access | |
| 520 | |a A call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. We live in a material world of designed artifacts, both digital and analog. We think of ourselves as users; the platforms, devices, or objects provide a service that we can use. But is this really the case? We Are Not Users argues that people cannot be reduced to the entity called "user"; we are not homogenous but diverse. That buzz of dissonance that we hear reflects the difficulty of condensing our diversity into "one size fits all." This book proposes that a new understanding of design could resolve that dissonance, and issues a call to reclaim and rethink the field of designing as a liberal art where diverse voices come together to shape the material world. The authors envision designing as a dialogue, simultaneously about the individual and the social-an act enriched by diversity of both disciplines and perspectives. The book presents the building blocks of a language that can conceive designing in all its richness, with relevance for both theory and practice. It introduces a theoretical model, terminology, examples, and a framework for bringing together the social, cultural, and political aspects of designing. It will be essential reading for design theorists and for designers in areas ranging from architecture to software design and policymaking. | ||
| 540 | |a Creative Commons |f by-nc-nd/4.0 |2 cc |4 http://creativecommons.org/licenses/by-nc-nd/4.0 | ||
| 546 | |a English | ||
| 650 | 7 | |a Art & design styles: Postmodernism |2 bicssc | |
| 650 | 7 | |a Individual designers |2 bicssc | |
| 650 | 7 | |a Regional geography |2 bicssc | |
| 653 | |a human-centred design | ||
| 653 | |a usability | ||
| 653 | |a participation | ||
| 653 | |a sustainability | ||
| 653 | |a engineering design | ||
| 653 | |a design for diversity | ||
| 653 | |a technology and society | ||
| 653 | |a technology and culture | ||
| 653 | |a inclusive design | ||
| 653 | |a design philosophy | ||
| 653 | |a complex social systems | ||
| 653 | |a context-sensitive | ||
| 653 | |a non-reductionist | ||
| 653 | |a liberal arts | ||
| 653 | |a design as social process | ||
| 653 | |a interdisciplinary design | ||
| 653 | |a architecture | ||
| 653 | |a industrial design | ||
| 653 | |a public policy | ||
| 653 | |a management design | ||
| 653 | |a design management | ||
| 653 | |a design science | ||
| 653 | |a models in design | ||
| 653 | |a design history | ||
| 653 | |a computer science | ||
| 653 | |a information design | ||
| 653 | |a development studies | ||
| 653 | |a humanities | ||
| 653 | |a science | ||
| 653 | |a technology | ||
| 653 | |a and society | ||
| 653 | |a STS | ||
| 856 | 4 | 0 | |a www.oapen.org |u https://doi.org/10.7551/mitpress/11931.001.0001 |7 0 |z Get Fullteks |
| 856 | 4 | 0 | |a www.oapen.org |u https://directory.doabooks.org/handle/20.500.12854/78574 |7 0 |z DOAB: description of the publication |