PERANAN MAGIS JANGJAWOKAN NYADARKEUN DALAM SENI TRADISI REAK HELARAN DI KECAMATAN CIBIRU KOTA BANDUNG
This research is motivated by art tradition named reak that use other creatures as a medium to make players more adventurous and do not feel pain when carrying out performances. This research is devoted to discuss three variants spoken spells when a magician about to awaken from the trance reak play...
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| Format: | Academic Paper |
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2016-06-20.
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| Online Access: | http://repository.upi.edu/25521/ |
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| LEADER | 04723 am a22003733u 4500 | ||
|---|---|---|---|
| 001 | repoupi_25521 | ||
| 042 | |a dc | ||
| 100 | 1 | 0 | |a Ramadhan, Vazareyno |e author |
| 245 | 0 | 0 | |a PERANAN MAGIS JANGJAWOKAN NYADARKEUN DALAM SENI TRADISI REAK HELARAN DI KECAMATAN CIBIRU KOTA BANDUNG |
| 260 | |c 2016-06-20. | ||
| 500 | |a http://repository.upi.edu/25521/1/S_IND_1002634_Title.pdf | ||
| 500 | |a http://repository.upi.edu/25521/2/S_IND_1002634_Abstract.pdf | ||
| 500 | |a http://repository.upi.edu/25521/3/S_IND_1002634_Table_of_content.pdf | ||
| 500 | |a http://repository.upi.edu/25521/4/S_IND_1002634_Chapter1.pdf | ||
| 500 | |a http://repository.upi.edu/25521/5/S_IND_1002634_Chapter2.pdf | ||
| 500 | |a http://repository.upi.edu/25521/6/S_IND_1002634_Chapter3.pdf | ||
| 500 | |a http://repository.upi.edu/25521/7/S_IND_1002634_Chapter4.pdf | ||
| 500 | |a http://repository.upi.edu/25521/8/S_IND_1002634_Chapter5.pdf | ||
| 500 | |a http://repository.upi.edu/25521/9/S_IND_1002634_Bibliography.pdf | ||
| 500 | |a http://repository.upi.edu/25521/10/S_IND_1002634_Appendix1.pdf | ||
| 500 | |a http://repository.upi.edu/25521/11/S_IND_1002634_Appendix2.pdf | ||
| 500 | |a http://repository.upi.edu/25521/12/S_IND_1002634_Appendix3.pdf | ||
| 500 | |a http://repository.upi.edu/25521/13/S_IND_1002634_Appendix4.pdf | ||
| 500 | |a http://repository.upi.edu/25521/14/S_IND_1002634_Appendix5.pdf | ||
| 500 | |a http://repository.upi.edu/25521/15/S_IND_1002634_Appendix6.pdf | ||
| 520 | |a This research is motivated by art tradition named reak that use other creatures as a medium to make players more adventurous and do not feel pain when carrying out performances. This research is devoted to discuss three variants spoken spells when a magician about to awaken from the trance reak players. The speech made by a diviner (malim). The purposes of this research are to describe structure, narrative context, creation process, function and meaning of Jangjawokan Nyadarkeun spells. The method used in this research is descriptive analysis method. The method is a method of qualitative research. From the studies that have been done found the following results1) The text NyadarkeunJangjawokanspells built by a certain structure that gives rise to magical effects and solemn atmosphere that confirms the request and state of the purpose desired inreak performing arts.2) Telling done by a monologue in a solemn atmosphere. 3) The spells creation ofJangjawokanNyadarkeun is structured and passed on with the process of inheritance horizontally as well as vertically. 4) For people, Jangjawokan Nyadarkeun spells has a function as an educational tool, certifier culture and as a projection of society.5) The meaning in JangjawokanNyadarkeunspells is as areak player petition awareness of the trance process as well as the place that made reakperformances avoids interference from the spirit that permeated the reak player; --- Penelitian ini dilatarbelakangi oleh seni tradisi reak yang memakai makhluk lain sebagai media untuk membuat pemain lebih berani dan tidak merasakan sakit ketika melaksanakan pertunjukkan. Penelitian dikhususkan membahas tiga varian mantra yang dituturkan saat seorang malim hendak menyadarkan pemain reak dari keadaan trance. Penuturan dilakukan oleh seorang malim. Penelitian ini bertujuan untuk mendeskripsikan struktur, konteks penuturan, proses penciptaan, fungsi dan makna mantra Jangjawokan Nyadarkeun. Metode yang digunakan pada penelitian ini adalah metode deskriptif analisis. Metode tersebut merupakan metode penelitian kualitatif. Dari pengkajian yang telah dilakukan didapati hasil sebagai berikut 1) Teks mantra Jangjawokan Nyadarkeun dibangun oleh struktur tertentu yang memunculkan efek magis serta suasana khusyuk yang menegaskan maksud tujuan permohonan dan keadaan yang dikehendaki dalam seni pertunjukkan Reak. 2) Penuturan dilakukan dengan cara monolog dalam suasana khidmat. 3) Penciptaan mantra Jangjawokan Nyadarkeun adalah terstruktur dan diwariskan dengan proses pewarisan horizontal serta vertikal. 4) Mantra Jangjawokan Nyadarkeun bagi masyarakat pemiliknya memiliki fungsi sebagai alat pendidikan, pengesah kebudayaan dan sebagai proyeksi masyarakat. 5) Makna yang terkandung dalam mantra Jangjawokan Nyadarkeun adalah sebagai permohonan kesadaran seorang pemain reak dari proses kerasukannya serta tempat yang dijadikan pertunjukkan Reak terhindar dari gangguan roh yang merasuki pemain reak tersebut. | ||
| 546 | |a en | ||
| 690 | |a D History (General) | ||
| 690 | |a PN Literature (General) | ||
| 655 | 7 | |a Thesis |2 local | |
| 655 | 7 | |a NonPeerReviewed |2 local | |
| 787 | 0 | |n http://repository.upi.edu/25521/ | |
| 787 | 0 | |n http://repository.upi.edu | |
| 856 | 4 | 1 | |u http://repository.upi.edu/25521/ |