In die Stille geleiten : Darstellungsprinzipien und Erfahrungsweisen eines musikalischen Grundphänomens
We perceive silence in music essentially when its time seems to stand still: for example, immediately before the beginning of a work. Silence dwells there outside the sounding music; John Cage forced it into a work in 1952. Inaudible because continuously silent, 4'33'' blurs the bound...
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| Format: | Capítol de llibre |
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Tübingen
Tübingen University Press
20220205
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| Accés en línia: | Get Fullteks DOAB: description of the publication |
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3rd Floor Main Library
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