Les couleurs des albâtres anglais. Polychromie, production et perception médiévales

Les couleurs des albâtres anglais. Polychromie, production et perception médiévales

Between c. 1350 and 1550, English sculptors carved thousands of panels depicting religious scenes from alabaster quarries around Nottingham. Exported throughout Europe, these polychrome reliefs were originally usually assembled to form altarpieces. Their coloured epidermis, an integral part of these...

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Bibliographic Details
Main Author: Schlicht, Markus (auth)
Other Authors: Mounier, Aurélie (auth), Mulliez, Maud (auth)
Format: Book Chapter
Published: Pessac Ausonius Éditions 2021
Subjects:
History of art / art & design styles
History
Polychromy
reconstruction
sculpture
Middle Ages
alabaster
England
Christian devotion
digital restoration
physico-chemical analyses
micro-photography
experimental archaeology
3D digitization
photogrammetry
optical measurements
facsimile
physical copy
painting techniques
pigments
gilding
symbolism of colours
medieval vision
perception criteria
aesthetic principles
patrons
Bordeaux
Libourne
Paris
Rabastens
Saint-Nicolas-du-Bosc
Nottingham
London
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3rd Floor Main Library

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